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The Show That Never Starts

by Emerson Lake & Cheesedoodle

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On this 40-minute live recording from 1987, seven guitarists chop the audio space into nuggets and hoard it like desperately stir-crazed fanatics in a cave. Twitching streams of bending amp shriek and atonal blats ricochet as if the guitars are getting repossessed in real time, which makes it seem like the set meanders; it does lack direction, but it’s not at all lost. EL&C knows where they are — “writhing in a filthy pile,” to quote Fred Rinne. Invert the ratios of a Peach Of Immortality / Stefan Jaworzyn collaboration and here you are: Nothing sounds like anything, and everything is louder than everything else. Grinding, churning, sharpness, nausea, a post-godly orgy of guitar noise stabbing itself in the head. Then the queasy side effects kick in and you can practically feel the octet deflating, wound-licking, seeping into the floorboards of the MCS like a bunch of doused witches. Unimpressed silence, four people slow-clapping. Pure victory.

credits

released April 1, 2022

Recorded live at MCS, San Francisco, 2/6/1987

Bill Brooks, guitar. Anne Costanza, guitar. David Costanza, guitar. Jim Flanagan, guitar. Greg Freeman, guitar. Scud Mandrill, guitar. Chas Nielsen, tapes. Phil Smoot, guitar

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Emerson Lake & Cheesedoodle San Francisco, California

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